Morphological and stylistic transformation of visual images has been a main topic of the Art History. The investigation of the iconographic migration in art was one of the most important paradigms of the 19th and 20th centuries, so as the construction of an “atlas of images” which studies the survival of the “Pathos formulas”. Those formulas appear with new strength inside works of art, but also different images, results of mass communication (stamps, advertisement, etc.).